It's the combination of all together that makes for a huge sound - not the hugeness of any one part. If you take classic rock songs where the guitars sound huge and then solo the guitars (without the bass & drums) the guitar player would faint. That's the problem with a lot of "modern" productions. Small can help the mixer, just as big can hurt him. We're both entitled, right? No need to get so defensive, but I'm begining to feel like you've got an alterior motive perhaps? It's all good. YM, you're certainly entitled to your opinion. But we all know that just ain't gonna fly in modern production, is it?heh heh Steven always says if you want natural drums put one mic in front of the kit, about ten feet away, six feet in the air. Most modern productions have ultra wide spread overheads and toms which are very unreal but have become a staple in today's drums. ![]() I didn't hear any panning issues personally but its almost a matter of taste. Panning issues also don't have anything to do with samples, again, thats the mixer. Fitting in vocals has to do with the mixer and would use the same skill to balance everything else. There has to be at least 5,000 or more mixes done with these samples that have all sorts of vox.
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